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2018 年畢業於香港中文大學，獲得藝術學⼠學位。現時主要創作媒介為表演、裝置和雕塑。他的表演藝術的經歷激發了他將劇場元素融入雕塑和裝置作品中的嘗試。他希望藉由藝術創作，探索自己與城市生活者之間的集體情感和經驗。

近期參與演出及創作包括：黃雅珊個人展覽《錯體》開幕表演（2025）、吃掉荒原《回歸許可》（2025）、鄭天依個人展覽《幽煙與窄窗》錄像作品及開幕表演（2025）、李幸凝《沉默如夢囈》（2025），以及牛AIR 第三期藝術家駐場計劃2025——徐嘉蒓《少少神經質》（2026）。

Graduated from The Chinese University of Hong Kong in 2018 with a bachelor’s degree in Fine Arts. Performance, installation, and sculpture are the current major mediums in Cheng’s art practice. His experiences in the performing arts have inspired him to incorporate theatrical elements into his sculptures and installation works. He hopes to explore the collective sentiments and experiences shared between himself and urban dwellers through artistic creation.

Recent performance and creative credits include: Disembody, opening performance at Ailsa Wong’s solo exhibition (2025); Re: Entry Permit, Feast on Waste Land (2025); Smoke Gets in Your Eyes, video installation and opening performance at Zheng Tianyi’s solo exhibition (2025); To Sleep So As To Dream, Giselle Li (2025); A Few Screws Loose, Kasen Tsui at ngau4 gat1 dei6 Artist-in-Residence 2025 (Phase III) (2026)

蔡鈺娟 Bouie 以木材為時空載體，以繪畫融合東西美學的，凝練城市符號與集體記憶。2013-2019年參與社區文化保育的經驗，深化她對物料的研究——透過重複的防腐、澆淋、打磨、沖刷，將木紋轉化並重新定義，封存轉瞬的城市印記。其作品在可見與不可見、人造與自然的對話中，揭示人性脆弱又緊密的連結。

畢業於香港中文大學藝術系（2009）及倫敦藝術大學切爾西學院（2012）。近期個展包括《溫暖而堅定的存在》（2026）以及於巴塞爾（2023）、香港嘉圖現代藝術（2023）舉辦個展。作品也於各地展出，包括參與紐約藝倡畫廊、杜拜 Jameel Arts Centre (2024-25）、斯坦福大學（2024）等聯展。作品最近獲溫哥華美術館永久收藏。

Bouie Choi employs wood as a spatiotemporal medium, creating paintings that fuse Eastern and Western aesthetics to distill urban symbols and collective memory. Her 2013-2019 community heritage preservation work deepened her understanding of the material—through repetitive preserving, pouring, sanding, and washing, she transforms and redefines wood grain, encapsulating ephemeral urban imprints. Her works reveal humanity’s fragile yet resilient connections through dialogues between the visible/invisible and artificial/natural.

She holds a BA from The Chinese University of Hong Kong (2009) and MA from Chelsea College of Arts, London (2012). Recent solo exhibitions include ‘Those warm and unwavering existences’ (2026), solo exhibition in Basel Switzerland (2023), and in Grotto Fine Art Hong Kong (2023). Recent group shows include ‘Hybrid Nature’ in Alisan Fine Arts New York (2025) , ‘Three Tired Tigers’ in Jameel Arts Centre, Dubai (2024-25), and Stanford University (2024). Her work is held in the permanent collection of the Vancouver Art Gallery.

www.bouiechoi.com

紀錄片導演，喜歡一切奇怪的文化與例外，曾旅居印度及墨⻄哥，並修讀人類學碩士，無論是田野抑或大時代，都要第一身待在現場親眼見證。首部長片《尚未完場》，從保育皇都戲院開始追溯香港娛樂文化史，2023年於「香港國際電影節」首映，並獲「香港電影評論學會」列為推薦電影。

近年推動「香港人家庭史計劃」，並與友人創辦「眾聲紀錄節」，推廣以不同媒介記錄香港。

A documentary filmmaker fascinated by the strange and the exceptional, Choi has lived in India and Mexico and holds a Master’s degree in Anthropology. Be it in the field or on the front lines of social change, she insists on being there in person.

Her debut feature, To Be Continued, traces the city’s cultural and entertainment history through the conservation campaign of the State Theatre. Premiered at the Hong Kong International Film Festival in 2023, the film was selected as “Films of Merit” by the Hong Kong Film Critics Society.

Choi recently initiates the “Hong Kong Family History Project” and co-founded the “Docurator.Fest”, both dedicated to promoting diverse forms of storytelling and uncovering the unseen histories of Hong Kong.

香港土生土長的製作人、現場電子音樂人。畢業於美國伯克利音樂學院，主修電子音樂製作及聲音設計。曾於慕尼黑 Frameworks Festival、上海 超級草莓音樂節、新加坡 Baybeats Festival 等國際音樂節演出。2021年，憑首張個人專輯《noista/gia 噪噪噪噪切》（派樂黛唱片）獲第32屆金曲獎「演奏類最佳專輯製作人獎」。兩年後，受邀擔任第34屆金曲獎評審團成員。

近年積極跨足劇場與跨媒介創作，擔任音樂總監及聲音設計，包括林俊浩執導的《Living Up / 噏to Death》系列（原創音樂及現場聲音設計）、《自由空間樂團：再現黃色魔力樂團》，以及電子踢躂舞蹈劇場《The Next Movement》。

Hong Kong electronic producer and live performer hirsk, Berklee College of Music graduate (Electronic Music Production & Sound Design). Performed at Frameworks Festival (Munich), Strawberry Music Festival (Shanghai), Baybeats Festival (Singapore). Won Best Album Producer (Instrumental) at the 32nd Golden Melody Awards for debut album “noista/gia”.  Later served on the 34th Golden Melody jury.

Recent theater credits as music director/sound designer include Living Up / 噏to Death, Freespace Ensemble: Yellow Magic Orchestra Reimagined, and The Next Movement (electronic tap dance theatre).

馮俊彥的作品涵蓋即興演奏、劇場表演與裝置。其跨領域實踐以聲音作為溝通媒介，著眼於不同空間的獨特震動如何構成各異的聆聽方式，探究多重感官之間連結與中斷的配置。他在2020年發起一個名為 Haptic Collision 的遊牧表演平台，邀請跨領域藝術家在城市中不同的臨時空間透過集體表演顯現聲音與環境之間的不穩定性。

Jasper Fung is an artist-researcher and musician currently based in Hong Kong. His transdisciplinary approach at the intersection of art and technology works primarily with sound as a medium for artistic exploration. Fung’s practice intertwines free improvisation, theatre performances, and installations, examining how spatio-temporal vibrations facilitate the connection and disconnection of multi-sensory experience. In 2020, he initiated Haptic Collision, a mobile platform for collective performances across disciplines that prioritises minimal setup, site-specificity, and ephemerality by activating temporary urban spaces throughout the city.

Fung attained a joint master’s MA in Media Arts Cultures (Erasmus Mundus scholarship) from Aalborg University with partner institutions, and a BA in Creative Media from City University of Hong Kong. He has performed at Äquidistanz Festival, Vienna; Oxygen No Fair Festival, Tbilisi; Maker Faire, Kyoto; Chronus Art Centre, Shanghai; Lacking Sound Festival, Taipei; Tai Kwun Contemporary, Freespace, and Art Basel in Hong Kong. His work has been exhibited at Ars Electronica Festival, Linz; the International Conference on New Interfaces for Musical Expression (NIME), London; Osthaus Museum, Hagen; and The Property Gallery, Los Angeles. His work is held in private collections.

林葉致力於聲音藝術、表演藝術及跨領域創作實驗。林葉畢業於香港演藝學院，常透過協作演出與實驗性項目，探索媒介間的互動關係。作為太鼓樂手，林葉以肢體節奏為基礎，融合多元藝術形式，在表演框架中持續尋找新的對話方式，拓展當代表達的可能性。

林葉近期作品與演出包括《太鼓壱》、《風月南音・說唱金蓮》、鹽田梓表演藝術節《TK808VGR》、Para Site《Ghost of Raspberry》、大館「表演實驗場:共生排練」、西九文化區「自由空間耳震盪」、香港創樂團《Sound Astronauts》、現在音樂x不加鎖舞踊館「雙駐留計劃」、「聲形」聲音藝術節《我的說話像河流》、一才鑼鼓「香港微音樂」等。

Lam Yip dedicates her practice to sound art, performing arts, and experimental cross-disciplinary collaborations. A graduate of The Hong Kong Academy for Performing Arts, she engages in collaborative performances and experimental projects to explore interrelations between mediums.  As a taiko practitioner, Lam Yip develops her work from physical rhythms, integrating diverse art forms to continuously seek new modes of dialogue within the framework of performance, expanding possibilities for contemporary expression.

Her recent works — including Alchemy of one: Taiko and Altered sounds, the experimental Nanyin performance Erotic Nanyin: The Ballad of Golden Lotus,  Yim Tin Tsai Performing Arts Festival’s TK808VGR, Para Site’s Ghost of Raspberry, Tai Kwun’s Performance Co-Lab: Rehearsing Symbiosis, West Kowloon Cultural District’s Freespace Noise Fest, Hong Kong New Music Ensemble’s Sound Astronauts, Contemporary Musiking Hong Kong x Unlock Dancing Plaza’s Duo Residency, Sound Forms: I Talk Like a River, and The Gong Strikes One’s Hong Kong Music Miniatures — have been well-received, showcasing her range and versatility as an artist.

黃麗茵，藝術家及專業廚師，畢業於香港中文大學藝術系。黃氏的作品曾在香港、澳門、京都、台北及悉尼展出。其作品被台北關渡美術館及澳門文化局作永久收藏。

作為一位廚師，她曾於藍帶學院西班牙分校修讀廚藝，完成課程後於餐廳 Catalunya, 農場到餐桌餐廳 A side/ B side, 和 Bo.Lan 曼谷米芝蓮一星餐廳等工作。後駐於不同餐廳為客人推出新餐單。近年黃麗茵被邀以藝術家兼廚師的身份，合辦以可持續性和災難為主題的展覽和餐飲服務。黃氏繼續探索本地農產品及香料、未來的食材，並以藝術家兼廚師的身份進行創作。

Cam Wong is an artist and professional chef, who graduated from the Department of Fine Arts at The Chinese University of Hong Kong. Her works have been exhibited in Hong Kong, Macao, Kyoto, Taipei and Sydney. Her works are now part of the permanent collections of Kandu Museum of Fine Arts Taipei and Instituto Cultural do Governo da R.A.E.de Macau. 

In addition to her artistic pursuits, she has embarked on a culinary arts journey, studying Spanish culinary at Le Cordon Bleu Madrid. After graduation, she gained experience working in Restaurant Catalunya, A side/ B side a farm to table restaurant in Hong Kong, and Bo.Lan a Michelin Star Thai restaurant in Bangkok. She has begun creating her own menus in collaboration with various restaurants. For the past few years, Cam was invited as artist/ chef for the exhibitions and events with the topics of sustainability and disaster. Cam continues to explore the local farm produces, asian spices and future ingredients with the identity artist x chef.

https://arcamcam.com

黃百亨（1995年生於香港）的創作涉獵混合媒體及數碼媒體，涵蓋攝影、錄像、裝置及表演藝術。他於2025年畢業於香港城市大學創意媒體學院藝術碩士課程，及2018年畢業於香港中文大學藝術系。近年作品探討現實與虛擬世界的日常經驗，並以人文關懷的視角，聚焦於外在的社會文明和內在的人性。

黃氏曾獲得香港 WMA 贊助，前往美國休斯頓參與 FotoFest 考察（2022），並獲得香港 Para Site 藝術空間的「2046 醞釀獎助金」（2022）。他在香港的錄映太奇和光影作坊的支持下舉辦了個人展覽《眼前》（2024）及《茫》（2020）。他的作品曾入圍第二十四屆 ifva 獨立短片及影像媒體比賽媒體藝術組（2019）。

Wong Pak-hang, Samson (b. 1995, Hong Kong), is an artist working across mixed media and digital media, including photography, video, installation and performance. He graduated with a Master of Fine Arts in Creative Media degree at the City University of Hong Kong in 2025 and a Fine Art degree from The Chinese University of Hong Kong in 2018. His recent works explore everyday experiences in both real and virtual realms, reflecting on civilisation and human nature through a humanistic lens.

Wong received sponsorship from WMA, Hong Kong, to attend FotoFest in Houston (2022) and was awarded the “2046 Fermentation + Fellowship” by Para Site, Hong Kong (2022). He held his solo exhibitions “Site Seeing” (2024) in Videotage and “ScreenSalver” (2020) in Lumenvisum, Hong Kong. His work was also shortlisted in the Media Arts category for the 24th ifva Awards (2019).

黃慧心的實踐以錄像、影像和裝置為主，並且經常源自她所經歷的文化脈絡。透過有計劃或偶然的旅程和相遇，她試圖理解地方、根源和流動性，探索人、自然與物件的日常敘事如何構建知識。她以自己拍攝或從遇到的人所收集得來的錄像和圖像作為原材料，雕刻和層疊影像，並經常同時以廢棄的家居用品、廉價或有瑕疵的材料，建構出可以不斷重組的臨時空間，思考影像與物質在再現上的界限。

Wong Winsome Dumalagan’s practice revolves around videography, images, and installations, often rooted in the cultural contexts she traverses. She delves into understanding places, roots, and mobility, exploring how everyday narratives of people, nature, and objects construct knowledge, through both planned and serendipitous encounters. With videos and images she captured or collected from those she encountered, she sculpts and layers visuals, and often incorporates discarded household items, inexpensive and sometimes flawed materials, to create temporary spaces that are continuously reconfigurable, probing the boundaries of representation in both imagery and material.

生於香港，舞者、演員及編舞，香港演藝學院當代舞系畢業生，現為獨立創作人及自由身表演藝術工作者，積極投入劇場表演及跨媒界藝術創作，亦曾擔任綠葉劇團創作演員。胡氏於2024年組成「邊 乂 渡」，開展了以邊界作為研究主題的跨媒介藝術計劃，於香港沙頭角禁區進行田野考察，胡氏亦於2025年獲選參與日本豐岡演劇祭「Intersecting Peripheries」國際交流計劃。

過往創作作品包括：《燃盡尼金斯基》(2025)、《那年冬天，我們在邊境牆前讀書跳舞》(2025)、《安全島》(2024)、《I Drag Deep Thought Word: Open Field》(2024)、《I Drag Deep Thought Word》(2023)、《康斯坦丁的影像散文》(2022)。

Woo Yat-hei is a Hong Kong-based performer, choreographer, and performance maker. He graduated from the Hong Kong Academy for Performing Arts in contemporary dance and choreography. As an independent artist, he has collaborated across dance, theatre, film, and media arts. He has also worked as a member of the creative ensemble for Théâtre de la Feuille. In 2024, he formed the cross-disciplinary collective Binchado, which conducted fieldwork and research at San Lau Street in the Sha Tau Kok frontier closed area. Their work focused on the ongoing interactions and intersections among the community dynamics which were shaped by contextual and structural factors.  In 2025, he was selected by the Toyooka Theater Festival to participate in the Intersecting Peripheries International Exchange Program.His previous works include Burn Out Nijinsky (2025), That Winter, We Read and Danced in Front of the Border Wall (2025), Traffik Is-Land (2024); I Drag Deep Thought Word: Open Field (2024); I Drag Deep Thought Word (2023); and Konstantin’s Video Essay (2022).