Curator-in-Residence (2026)

策劃人駐留計劃 (2026)
Curator-in-Residence (2026)

除了策劃協作創作與製作外，NDL 亦希望藉由構建不同的交流平台，支持更多不同媒介藝術家實現「突破性」的創作發展，從而擴展自身的實踐領域，發掘更多跨界協作的可能。為此，我們於 2026 年初推行了「Platform Undefined」計劃，讓創作者能夠透過共學、考察交流及開啟協作研發，共同探索創作新路向。

與此同時，NDL 亦致為不論是資深或新晉的藝術家，提供持續拓展的機會。是次推出的「策劃人駐留計劃」，邀請國際策劃人透過多元形式的活動與本地藝術社群連結，展開交流，進一步拓寬並豐富本地的藝術生態環境。

公眾講座｜策劃洞察與策略

為來訪策劃人提供一個公眾交流平台，分享他/她們獨特的策劃視野、機構策略，以及在快速變化的當代跨界藝術領域中的第一手實踐經驗。

新晉藝術家諮詢與指導｜創作發展

透過公開召集，讓入選的本地新晉藝術家將獲得專屬的一對一諮詢面談，為其當前藝術實踐汲取新的視角、批判性回饋與國際視野。（詳情請參閱下方的公開召集細節）

參觀工作室及訪談交流｜生態網絡建構

為促進深度的藝術交流，計劃亦將協調安排私人工作室及排練探訪。根據來訪策劃人的特定研究興趣，以邀請及預約制形式進行，直接與本地藝術家連結，希望有助大家未來拓展。

Beyond curating collaborative creations and productions, NDL is dedicated to building dynamic platforms that support artists across diverse media in achieving creative breakthroughs—empowering them to expand their practices and discover new possibilities for interdisciplinary (or intermedia) collaboration. To this end, NDL launched “Platform Undefined” in early 2026, offering a space for artists to explore new directions through co-learning, festival visit, discussion & exchanges, and collaborative development.

Furthermore, NDL strives to initiate opportunities for expansion to artists at all stages of their careers, from emerging voices to established artists. Through the newly launched Curator-in-Residence Programme, visiting international curators will engage directly with Hong Kong’s local art community through a versatile series of activities—fostering meaningful dialogue and enriching the broader arts ecosystem.

Public Talks | Insight & Strategy

A public platform for our visiting curators to share their distinct curatorial visions, institutional strategies, and first-hand experiences navigating the rapidly evolving landscape of contemporary, interdisciplinary arts.

Emerging Artist Consultations & Mentorship | Creative Development

Through the Open Call, selected emerging local artists receive exclusive, one-to-one consultation sessions to gain fresh perspectives, critical feedback, and international context for their active practices. (See full Open Call details below).

Visiting Studio & Research Meetings | Ecosystem Networking

To facilitate deep, authentic artistic exchange, the programme coordinates private studio and rehearsal visits. Based on the visiting curators’ specific research interests, these sessions are organised by invitation and appointment only, connecting international curators directly with Hong Kong’s local art community.

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來訪策劃人
Visiting Curators

November 2026

竹下暁子
Akiko Takeshita 

山口情報藝術中心［YCAM］表演藝術與科技製作人 (日本）
Performing Arts + Technology Producer, Yamaguchi Center for Arts and Media [YCAM] , Japan

現任山口情報藝術中心［YCAM］表演藝術與科技製作人。她長期深耕於表演、科技與媒體藝術的交匯點，與國際頂尖藝術家、創作人及科技專家緊密合作，共同探索新興科技如何重構當代對人體與身份認同的感知。

她製作的作品涵蓋突破性的舞蹈、人工智能、互動媒體及表演。項目包括與前法蘭克福芭蕾舞團（The Forsythe Company）舞者安藤洋子（Yoko Ando）合作、旨在開發舞蹈創作與教育工具的研究項目《Reactor for Awareness in Motion (RAM)》；以及榮獲 2018 年奧地利 Ars Electronica 現代電子藝術節「互動藝術＋」（Interactive Art +）榮譽獎的 VR 裝置作品《The Other in You》（2017）。

竹下氏近年的策展焦點在於人機互動（Human-AI Interaction），推出多項演出作品，包括與弗拉明戈舞蹈家 Israel Galván 及其 AI 分身進行即時互動的《Israel & イスラエル (Israel)》（2019）、與敲擊樂手石若駿（Shun Ishiwaka）合作的《Echoes for unknown egos》（2021），以及由 Lauren Lee McCarthy 與 Kyle McDonald 創作的實驗性作品《Unlearning Language》（2022）。她近期（2025年）的製作更進一步拓寬實驗邊界，包括山內祥太（Shota Yamauchi）以體味為鏡批判當代社會的《Monument of Odour – Forgotten Eros》，以及Pijin Neji 邀請兒童參與、由生成式 AI 機器人導師授課的互動演出《Generative Sensei》。竹下氏備受好評的製作亦於亞洲及歐洲各地廣泛巡演與展出。

Akiko Takeshita is a Performing Arts + Technology Producer at the Yamaguchi Center for Arts and Media [YCAM]. Working closely at the intersection of performance, technology, and media arts, she collaborates with leading international artists, creators, and technologists to explore how emerging technologies redefine contemporary perceptions of the human body and identity.

Her produced works span groundbreaking dance, artificial intelligence, interactive media, and performance. Notable projects include Reactor for Awareness in Motion (RAM), a research project developing dance creation and education tools in collaboration with Yoko Ando (former dancer with The Forsythe Company), and The Other in You (2017), a VR installation that earned an Honorary Mention in Interactive Art + at Ars Electronica 2018.

Takeshita’s recent curatorial focus dives deeply into human-AI interaction, featuring milestone performances such as Israel & イスラエル (Israel) (2019) with flamenco icon Israel Galván and his AI counterpart, Echoes for unknown egos (2021) with percussionist Shun Ishiwaka, and Unlearning Language (2022) by Lauren Lee McCarthy and Kyle McDonald. Her recent works push experimental boundaries further, including Shota Yamauchi’s Monument of Odour – Forgotten Eros (2025), which critiques contemporary society through scent, and Pijin Neji’s participatory performance Generative Sensei (2025), where children interact with a generative AI robot teacher. Takeshita’s acclaimed productions have been presented extensively across Asia and Europe.

https://www.ycam.jp

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Grzegorz Reske

SPRING 表演藝術節 藝術總監 (烏特勒支，荷蘭）
Artistic Director, SPRING Performing Arts Festival, Utrecht, The Netherland

Grzegorz Reske 出生於波蘭盧布林，為表演藝術策劃人及製作人。其策劃項目包括盧布林的 Konfrontacje Teatralne 藝術節、Labirynt 畫廊的「Meet the Neighbours」計劃，以及與 Lina Majdalanie 和 Rabih Mroue 合作的「Last But Not Last / Sunny Sunday」（以上項目皆與 Marta Keil 以「ResKeil」名義聯合策劃）。Grzegorz 亦是華沙 InSzPer 藝術組織成員。並自2021年起擔任荷蘭烏特勒支「SPRING 表演藝術節」的藝術總監。

Born in Lublin, Poland, is a performing arts curator and producer. His curating practice includes Konfrontacje Teatralne Festival in Lublin, project “Meet the Neighbours” at Labirynt Gallery and “Last But Not Last / Sunny Sunday” with Lina Majdalanie and Rabih Mroue – all in collaboration with Marta Keil as tandem ResKeil. He is a member of the collective InSzPer in Warsaw and, since 2021, he served as Artistic Director of SPRING Performing Arts Festival in Utrecht, The Netherlands.

https://springutrecht.nl/?language=en

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駐留活動 Residence Programmes  

公眾講座 Public Talks 

[容後公佈 to be announced]

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指導計劃 Mentorship Programme

– 為新晋創作人而設的一對一諮詢機會
– one-to-one consultation opportunity for emerging artists 

公開召集 OPEN CALL

NDL 希望可以協助本地創作人持續發展及拓展，在「策劃人駐留計劃」中加入「指導計劃」，現正邀請香港新晉創作人申請，獲得與來訪國際策劃人交流個人專業發展的機會。

入選創作人將獲安排與來訪策劃人進行私人一對一諮詢面談。此面談旨在提供一個專屬空間，進行針對性的構作（dramaturgical）建議、作品方向審視，以更批判性的視角，協助本地藝術實踐定位於全球視野之中。

兩位具國際經驗的海外策劃人將於 11 月 留駐香港，展開一連串的公眾分享、探訪、研究及導師指導活動。

有意申請「導師計劃」的創作人，請務必留意兩位策劃人的不同專業背景、策展軌道及指導範疇，以確保符合自身的創作領域與發展需要；同時請先確認能否出席指定的指導日期。機會難得，請把握時間遞交申請！

No Discipline Limited (NDL) introduces the Curator-in-Residence programme as another key initiative to support local artistic growth. Within this programme, the Mentorship Programme invites emerging Hong Kong creators to apply for exclusive professional development opportunities with our visiting international curators.

Selected artists will be granted a private, one-to-one consultation session with a visiting curator. These sessions serve as a dedicated space for tailored dramaturgical advice, portfolio reviews, and fresh critical perspectives to help position local practices within a global context.

Two internationally acclaimed curators will be in residence in Hong Kong this November, engaging in a series of public talks, research visits, studio meetings, and mentorship sessions.

Interested creators are strongly advised to carefully review each curator’s unique background, curatorial track, and focus area to ensure alignment with their own practice and creative needs. Applicants must also confirm their full availability for the designated mentorship dates before applying. Don’t miss this opportunity—apply NOW!

Akiko Takeshita

指導日期 Mentorship Sessions 
2-4/11/2026  ｜Mon-Thu
時間及地點 (容後發佈）Meeting Time & Place (to be announced)

Grzegorz Reske

指導日期 Mentorship Sessions
10-13/11/2026  ｜Tue-Fri
時間及地點 (容後發佈）Meeting Time & Place (to be announced)

*活動以英語進行
*Programmes will be conducted in English

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參與資格及選項 Application Criteria & Options

1/
基本要求
Baseline Eligibility Criteria

申請人須符合以下基本條件：
・所在地： 現居香港。
・職涯階段： 於讀藝術或創作相關學科畢業5 年以內。
・藝術實踐對接：活躍的藝術實踐，且創作領域/內容與「所選的策劃人」的特定策展方向契合。

Applicants must meet the following baseline requirements:
・Location: Must be currently based in Hong Kong.
・Career Stage: Must have graduated from their respective artistic or creative studies within the past 5 years.
・Practice Alignment: Must possess an active practice, and the work that is directly interfaces with the specific curatorial track of the selected curator.

2/
策劃方向軌道 
Curator Focus Tracks

申請人須選擇契合自身實踐的「特定策劃人的策劃軌道」
Applicants must select the “specific curatorial track” that best aligns with their current artistic direction

軌道 Track A
竹下暁子 Akiko Takeshita

指導日期 Meeting Date：
Nov 2-5, 2026  | Mon-Thu 

・藝術範疇：不限藝術類型或形式，唯作品必須積極融入／應用媒體科技。

・特定報名要求：
。藝術家須曾公開發表作品至少一次。
。藝術家須曾創作至少一件應用媒體科技的作品。

・申請引導問題：
。您目前對哪些與科技相關的主題或課題感興趣？原因為何？
。關於科技與社會之間的關係，具體而言是甚麼吸引了您？

・Artistic Scope: Open to all genres and artforms, with a strict requirement that the work actively integrates media technology.

・Track Entry Requirements:
。Artists must have presented their work in public at least once.
。Artists must have created at least one work applying media technology.

・Application Prompts:
。What themes or topics involving technology are you currently interested in, and why?
。What specifically interests you regarding the relationship between technology and society?

軌道 Track B
Grzegorz Reske 

指導日期 Meeting Date：
Nov 10-13, 2026 | Tue-Fri

・藝術範疇：有創作經驗的年輕跨領域與跨媒介（interdisciplinary or transdisciplinary）創作人

・特定報名要求：
。創作實踐需在研究的內容中，展現對社會急迫性議題的關注。
。藝術家的藝術背景與創作實踐能與 SPRING 領域產生共鳴

・指導範疇：現有創作/研究項目的劇場構作、在國際脈絡中定位的意見

・Artistic Scope: Tailored for slightly advanced emerging makers utilizing interdisciplinary or transdisciplinary approaches.

・Track Entry Requirements: 
。Practice must demonstrate a distinct focus on socially urgent topics within the content of their research.
。Looking for artists whose profile and practice resonate with the area of SPRING.

・Consultation Focus: Dramaturgical advice toward currently developing projects and strategic guidance on international context and positioning.

備註 Notes

・活動以英語進行
・時間及地點會於成功獲選後通知

・Programmes will be conducted in English
・Meeting Time & Place will be announced after confirmation

報名方法 How to Apply

請填寫以下報名表，同時請以英文提交以下資料（PDF 格式），電郵至 nodisciplineltd@gmail.com，標題請註明「Application for Mentorship Programme」。
*所有資料請以英文填寫
*請於同日一併遞交表格及以下所有資料

Please complete the following Application Form, and submit the following materials in English (PDF format) via email to nodisciplineltd@gmail.com, with subject line: Application for Mentorship Programme.
*Please complete all information in English
*Please submit the required documents together with the Application Form on the same day

1/ 報名表
Application form

2/ 創作理念  (不多於 500 字英文）
Artist’s Statement (max 500 words)

3/ 創作人簡介 （不多於 500 字英文），可另外提供 中文簡介，及 CV 類的清單。
Artistic Biography (max 500 words in English) ; Chinese version and CV are optional

4/ 作品集
Portfolio 

・內含不多於 3個作品/項目，每個作品/項目的闡述不多於500字；
Max THREE works / projects, each description max 500 words;

・提供相關相片、影像、網站、社交媒體的連結作參考。
include photos, video links, or other media references. 

・如屬於演出或時間性作品，必須提交作品影片連結。如影片長過 30 分鐘，請同時提供一條 3 分鐘的精華片段。
For performance/time-based works, please provide video link + 3-min highlight if full video exceeds 30 mins.

*備註 Remarks：
 檔案名稱，請改為 please rename your files as：
“Your Name_bio” / “Your Name_statement” / “Your Name_portfolio”

截止報名 Deadline：
18/9/2026 – 23:59 (香港時間 Hong Kong Time）

逾期申請，概不受理 
Late submission will not be considered

甄選 The Selection

・由 NDL策劃人及來訪策劃人審核申請，最終將甄選並邀請合共最多24位創作人參與。
The NDL curator and the Visiting Curators will review the applications, and ultimately, up to 24 artists will be selected and invited to participate in the programme. 

・成功入選的創作人將於 2026年10月內收到電郵通知。
Selected artists will be notified by email in October 2026.

・指導策劃人會根據你所提交的藝術家作品集，進行一對一私人諮詢。
One-to-One Private Consultation Session based upon submitted artists’ portfolio

聯絡我們  Contact us

如有問題，可以電郵至：staff.nodisciplineltd@gmail.com 
If enquiry, please contact us at staff.nodisciplineltd@gmail.com 

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