以外 Something Else

跨媒介藝術家、研究員及評論人，近年專注於即場／行為藝術與社會實踐的創作及研究。作品曾於香港及世界各地展出。現於大學任教當代藝術理論及實踐。2005-2010年任職亞洲藝術文獻庫研究員，除了為香港及海外多份報章、雜誌撰寫文章，亦於多個國際學刊及學術會議發表論文。2015-2016年度獲頒傅爾布萊特獎學金赴美國西北大學作訪問學人；2018年於取得香港浸會大學視覺藝術博士，論文以自我民族誌的方式，探討香港藝術家參與社會運動中的展演性藝術實踐。更多資訊：https://linktr.ee/wenyau

As a cross-media artist, researcher, curator and writer, wen yau has been concentrating on performance/live art and social practices in recent years. Her works have been exhibited internationally. She currently teaches contemporary art theory and practice at various universities. She worked as a Researcher at Asia Art Archive from 2005 to 2010, and has published extensively in local and international newspapers, magazines, academic journals and conferences. She was a Fulbright Visiting Scholar at Northwestern University Performance Studies Department from 2015 to 2016, and she received her PhD in Visual Arts from the Academy of Visual Arts, Hong Kong Baptist University, with an auto-ethnographic thesis on performative practices in post-Handover Hong Kong art and activism.  For more, visit: https://linktr.ee/wenyau

先後畢業於香港城市大學創意媒體學院及嶺南大學策展及藝術史碩士，獲香港藝術發展局藝術行政獎學金及嶺南大學畢業獎學金。現為小息跨媒介創作室藝術總監，為劇場導演、跨媒介藝術家、策劃、藝術教育工作者及註冊瑜伽導師。

主要作品：西九文化區「表演未來」系列《白日》（獲IATC劇評人獎年度舞台美學獎、提名年度演出奬）、香港話劇團「跳格黑盒劇場節」《視外之景》、《清醒做夢時間》、《卡桑德拉／表象終結之世界》(獲IATC劇評人獎年度演出獎、提名香港小劇場獎最佳導演、最佳舞台美學及最佳整體演出)、《靜默邊境》、《靜默。邊境族》（提名香港小劇場獎最佳整體演出）。

策劃項目：《身體檔案#001：身海漂流》(2025)、HKAF@Taikwun《那些巨大與微小的》(2024)、Felixisim Creation X 非藝事務所 X 小息跨媒介創作室《一人前、釀酒，隱遇山裡的酒神》、嶺南MACAH策展《行走的人》展覽(2023)、香港藝術節《世界從此處延展》、小息跨媒介創作室《未來表演實驗室#1》(2021)及《#2》(2023)、社區文化大使《我們的山，我們的海》(2020)及《我們的海－島嶼幻想曲》(2018)等。

陳氏亦積極參與藝術教育項目，包括為香港演藝學院科藝學院客席講師，為「十八有藝」之奇想偶戲劇團《究竟大埔》、青少年影像共學計劃、見㠀及香港藝術節青少年之友等項目擔任導師，亦為賽馬會「觸動」舞蹈計劃之教學藝術家。

Fee is a Hong Kong based trans-disciplinary artist. She works as theatre director, curator, teaching artist, movement coach, as well as registered yoga teacher. She is currently the artistic director of Littlebreath Creative Workshop. She graduated from the School of Creative Media in City University of Hong Kong, and Master of Curating and Art History in Lingnan University. She received the Arts Administration Scholarship from the Hong Kong Arts Development Council as well as Exit Scholarship from the Lingnan University for her master degree. 

Her main projects: Bright Day(2022), Only when you sleep, it works (2019), Paradise: Epilogue (2019), Kassandra or the World as the End of Representation (2018, awarded Performance of the Year from the IATC Theatre Critics Award, nomination for Best Performance, Best Scenography and Best Director in the Hong Kong Theatre Libre), Absent Presentee (2015), Present Absentee (2014, nomination for Best Performance in the Hong Kong Theatre Libre).

Curatorial projects: The Big Things and the Tiny Little Things (2024 HKAF@Taikwun), Future Performing Arts Lab #2 (2023), Future Performing Arts Lab #1 (2021), Our Land, Our Sea (2020), Where is Our Sea? (2018) and Heptahedron, A Surrealist’s City Odyssey (2015). She is also active in arts education projects, including Wherefore Tai Po and Jockey Club Dance Well Project.

被英國《Theatre and Performance Design》譽為「一位來自香港的令人興奮的創作人，以及對光作為表演元素的新興批判聲音」。她的作品遊走於光與音樂、表演與裝置、藝術與醫學之間，並將光景（lightscape）視為共同表演者。她的光影裝置表演曾於歐美及台灣等地演出，並獲香港無限亮藝術節及香港創樂團等委約創作。

陳氏活躍於跨界創作，曾和鮑藹倫、伍韶勁、張緯晴、上野健等藝術家與作曲家合作，參與M+與巴塞爾藝術展共同呈獻製作、新視野藝術節等項目。亦曾為香港雙年展得獎作品暨香港藝術館藏品《有棵沒人種的樹》創作燈光。

香港演藝學院藝術碩士（優異）。研究成果常發表於國際藝術期刋及會議，亦曾獲德國柏林藝術學院及布拉格四年展邀請擔任燈光專題講者。

https://www.amychan-light.com/

Light and theatre artist, and independent artistic researcher. Praised as “an exciting practitioner from Hong Kong and an emerging critical voice on light as a performance material” (Theatre and Performance Design, UK), Amy explores the musicality, relationality, and materiality of light in performance and installation. Her work moves across the in-between spaces of light and music, performance and installation, and art and medicine, positioning lightscape as co-performer, spatial agent, and dramaturgical force. Her light installation-performances have been presented internationally, with commissions from No Limits of Hong Kong Art Festival, Hong Kong New Music Ensemble, and Contemporary Musiking Hong Kong.

Amy’s interdisciplinary practice bridges media, disciplines, and communities through collaborations with artists, composers, and companies. With over two decades of experience in theatre, music, galleries, and installation, her works are presented in different renowned arts festivals, exhibitions and fairs.

Amy holds an MFA with distinction from the Hong Kong Academy for Performing Arts. Her research has been published in peer-reviewed journals and presented at international conferences. She was an invited speaker on performance lighting at the Akademie der Künste in Berlin and at Prague Quadrennial 2023.

https://www.amychan-light.com/

馮程程從事文本劇場及跨領域藝術創作。前進進戲劇工作坊聯合藝術總監，並為No Discipline Ltd 長期合作夥伴，並於香港演藝學院戲劇學院任教劇場構作。曾參與香港藝術節、台北藝術節、慕尼克Spielart藝術節及曼徹斯特國際藝術節等。

Vee Leong is a playwright and director. Text-based and intermedia art is at the centre of her work, which she utilizes to explore socially relevant themes from a feminist perspective. She teaches dramaturgy at the Hong Kong Academy for Performing Arts. Co-Artistic Director of On&On Theatre Workshop, she also works closely with No Discipline Limited. As part of her collaboration, she participated in the Hong Kong Arts Festival, at the Taipei Arts Festival, Spielart Festival Munich as well as the Manchester International Festival, and elsewhere. 

陳子雯工作及生活於香港，其藝術實踐深入探討人體與意識之間複雜的關係。她認為人無法逃脫肉身的牢籠，既可悲又荒謬，既卑劣又純粹。透過雕塑、裝置、攝影與行為藝術，陳氏以自己的身體經驗出發，交織民俗與神話，探討身體政治、精神分析、卑微生物質主義等議題。她的研究旨在尋找在社會中關於身體的另類視角與想像。

陳氏先後取得馬里蘭藝術學院藝術學士學位、倫敦大學金匠學院視覺藝術深造文憑，以及香港中文大學藝術碩士學位。她近期的展覽與項目包括香港六廠紡織文化藝術館「縷縷入心」(2026) 、 香港藝術中環展會《Our Birthdays (uncut)》（2025）、紐約福特基金會畫廊「Cantando Bajito: Testimonies」（2024）、香港巴塞爾藝術展《溺星泄月》（2023），以及香港大館賽馬會立方「藝術不夜館——在外：在內」（2021）。

Based in Hong Kong, IV Chan’s art practice delves into the intricate relationship between the human body and mind. She views our inescapable corporeal existence as tragic and ludicrous, sordid yet pure. Through sculpture, installation, photography and performance, Chan explores her own bodily experiences, grappling with themes of body politics, psychoanalysis, base materialism, and the intersection of folklore and mythology. Her research seeks to explore alternative perspectives and anticipations of one’s body in society.Chan received a BFA from the Maryland Institute College of Art, a Post Graduate Diploma in Visual Art from Goldsmiths University of London, and an MFA from the Chinese University of Hong Kong. Her recent exhibitions and projects include Threading Inwards at CHAT Hong Kong (2026); Our Birthdays (uncut) at Art Central, Hong Kong (2025); Cantando Bajito: Testimonies at Ford Foundation Gallery, New York (2024); Poop Me to the Moon at Art Basel Hong Kong (2023); and Art After Hours: Inside Outside at Tai Kwun, Hong Kong (2021).

跨媒界創作人及表演者，橫跨表演者、演員、劇場構作、舞者、編舞、美術、影像及平面設計等多重身份。曾於法國、匈牙利、韓國、北京、澳門等地參與藝術節演出及藝術家駐留計劃。擅長處理表演者與觀者之關係、場面及空間調度、視覺傳意及符號運用、文本及內容編創。

創作作品包括舞蹈新鮮人系列2024／25《在燈亮以前》；《天涯斷腸》（2024）；＃非關舞蹈祭《I’m Only My Body？》〈張利雄〉（2021）；CCDC舞蹈中心《二延體》（2019）──《現場》，《現場》後於＃非關舞蹈祭《相對現場》（2021）中重演。近年參與演出包括黑龍劇場《雞春咁大隻曱甴兩頭岳》、法國五月藝術節《祈福》及香港藝術節《一個人的微笑》。

Cross-media artist and performer, with multiple identities including performer, actor, dramaturg, dancer, choreographer,  video and graphic designer, etc. His works focused on the relationship between performers and spectators, scene and space creation, visual communication and use of symbols, text and devising. He has participated in various art festivals, performances and artist residencies in French, Hungary, South Korea, Taiwan, Beijing and Macau.

常駐香港的策展人和藝術家，現為香港逸東酒店文化總監。自2021年起，他策劃了一個涵蓋多個場館的生態系統，包括畫廊、電影院、表演空間、廣播電台和駐留工作室。
陳氏曾與上百位當代藝術家合作，策劃展覽、演出，並委約創作新作品。近期合作者包括Joshua Serafin、Xavier Le Roy、徐世琪、楊秀卓、單慧乾、黃炳、Natasha Tontey、鄭淑麗、Melati Suryodarmo 和鮑藹倫等。除了在機構策展實踐之外，亦積極倡導合作式藝術創作。陳氏為真善美村的共同創辦人兼 Video Cypher 的創始成員。

Joseph Chen is a Hong Kong-based curator and artist. Currently serving as the Director of Culture at Eaton HK. Since 2021, he has curated a multi-scalar ecosystem across a constellation of venues, including a gallery, a cinema, a performance space, a radio station, and a residency studio.

Throughout his career, Chen has collaborated with hundreds of contemporary artists to helm exhibitions, stage performances, and commission new works. Recent collaborators include Joshua Serafin, Xavier Le Roy, Angela Su, Ricky Yeung Sau-churk, Sin Wai Kin, Wong Ping, Natasha Tontey, Shu Lea Cheang, Melati Suryodarmo, and Ellen Pau, among others. Complementing his institutional practice, Chen is a dedicated advocate for collaborative artistic production. As a co-founder of Virtue Village and a founding member of Video Cypher.

何苑瑜（Louiza Ho）現為大館當代美術館副策展人，致力於視覺藝術與現場展演的交匯處探索另類的策展方法。曾任香港版畫工作室項目經理及研究員，專注於印藝文化及版畫創作交流。近期具協作性與實驗性的項目包括：「POP UP PRESS」（2014-2015） 、「BOOKED：香港藝術書展」（2018-2024）、「55平方米」（2020-2023）、「藝術慢漫行」（2021-2022）、「藝術不夜館」（2021，2025、2026）以及「藝術家之夜」（2024，2026）。近期策劃的展覽包括：「OVERBOOKED」（2020）、「信任&迷惑」（2021）、「Maria Hassabi：我會是你的鏡子」（2023）、「艾莉斯亞．夸德：等候亭」（2024）以及「艾莉斯亞．夸德 ：彼托邦」（2025）。

Louiza Ho is Associate Curator at Tai Kwun Contemporary, where her practice explores curatorial approaches at the intersection of visual arts and live art. Previously, she served as Programme Manager and Researcher at Hong Kong Open Printshop, engaging deeply with print culture and exchange of printmaking practices. Her recent collaborative and experimental projects include POP UP PRESS (2014-2015), BOOKED: Hong Kong Art Book Fair (2018–2024), as well as initiatives such as 55 Squared (2020–2023), Artist Walk (2021–2022), Art After Hours (2021, 2025, 2026), and Artist’s Night (2024, 2026). Recent curated exhibitions encompass OVERBOOKED (2020), trust & confusion (2021), Maria Hassabi: I’ll Be Your Mirror (2023), Waiting Pavilions by Alicja Kwade (2024), and Alicja Kwade: Pretopia (2025).

先後成立 orleanlaiproject 及 No Discipline Limited，以策劃人、監製及創作人的角色致力策動獨立藝術家之間進行跨媒介式 (intermedia) 的協作，NDL 重視擴展不同媒介的表演性及相互滲透，發展混種創作，探索不同展現方式的可能，模糊藝術類型框框、媒界的分野。黎氏為2016年為亞洲文化協會年度獎助金得主。

Orlean Lai founded orleanlaiproject and later No Discipline Limited. As curator, producer, and creator, she has developed the platform in supporting creations of multiple genres and artistic forms, committed to fostering intermedia collaboration among independent artists. Her projects focuses on expanding the performative potential of diverse media, encouraging hybrid creations that intertwine and enrich different forms, and blurring the boundaries. Orlean received an Asian Cultural Council Fellowship in 2016.

2018 年畢業於香港中文大學，獲得藝術學⼠學位。現時主要創作媒介為表演、裝置和雕塑。他的表演藝術經歷激發了他將劇場元素融入雕塑和裝置作品中的嘗試。他希望藉由藝術創作，探索自己與城市生活者之間的集體情感和經驗。

Graduated from The Chinese University of Hong Kong in 2018 with a bachelor’s degree in Fine Arts. Performance, installation, and sculpture are the current major mediums in Cheng’s art practice. His experiences in the performing arts have inspired him to incorporate theatrical elements into his sculptures and installation works. He hopes to explore the collective sentiments and experiences shared between himself and urban dwellers through artistic creation.

以木材為時空載體，以繪畫融合東西美學的，凝練城市符號與集體記憶。2013-2019年參與社區文化保育的經驗，深化她對物料的研究——透過重複的防腐、澆淋、打磨、沖刷，將木紋轉化並重新定義，封存轉瞬的城市印記。其作品在可見與不可見、人造與自然的對話中，揭示人性脆弱又緊密的連結。

Employs wood as a spatiotemporal medium, creating paintings that fuse Eastern and Western aesthetics to distill urban symbols and collective memory. Her 2013-2019 community heritage preservation work deepened her understanding of the material—through repetitive preserving, pouring, sanding, and washing, she transforms and redefines wood grain, encapsulating ephemeral urban imprints. Her works reveal humanity’s fragile yet resilient connections through dialogues between the visible/invisible and artificial/natural.

紀錄片導演，喜歡一切奇怪的文化與例外，曾旅居印度及墨⻄哥，並修讀人類學碩士，無論是田野抑或大時代，都要第一身待在現場親眼見證。首部長片《尚未完場》，從保育皇都戲院開始追溯香港娛樂文化史，2023年於「香港國際電影節」首映，並獲「香港電影評論學會」列為推薦電影。

A documentary filmmaker fascinated by the strange and the exceptional, Choi has lived in India and Mexico and holds a Master’s degree in Anthropology. Be it in the field or on the front lines of social change, she insists on being there in person. Her debut feature, To Be Continued, traces the city’s cultural and entertainment history through the conservation campaign of the State Theatre. Premiered at the Hong Kong International Film Festival in 2023, the film was selected as “Films of Merit” by the Hong Kong Film Critics Society.

香港土生土長的製作人、現場電子音樂人。畢業於美國伯克利音樂學院，主修電子音樂製作及聲音設計。2021年憑首張個人專輯《noista/gia 噪噪噪噪切》（派樂黛唱片）獲第32屆金曲獎「演奏類最佳專輯製作人獎」。兩年後，受邀擔任第34屆金曲獎評審團成員。近年積極跨足劇場與跨媒介創作，擔任音樂總監及聲音設計。

Hong Kong electronic producer and live performer hirsk, Berklee College of Music graduate (Electronic Music Production & Sound Design). Won Best Album Producer (Instrumental) at the 32nd Golden Melody Awards for debut album “noista/gia”.  Later served on the 34th Golden Melody jury. Recent theater credits as music director/sound designer.  

作品涵蓋即興演奏、劇場表演與裝置。其跨領域實踐以聲音作為溝通媒介，著眼於不同空間的獨特震動如何構成各異的聆聽方式，探究多重感官之間連結與中斷的配置。他在2020年發起一個名為 Haptic Collision 的遊牧表演平台，邀請跨領域藝術家在城市中不同的臨時空間透過集體表演顯現聲音與環境之間的不穩定性。

An artist-researcher and musician currently based in Hong Kong. His transdisciplinary approach at the intersection of art and technology works primarily with sound as a medium for artistic exploration. Fung’s practice intertwines free improvisation, theatre performances, and installations, examining how spatio-temporal vibrations facilitate the connection and disconnection of multi-sensory experience. In 2020, he initiated Haptic Collision, a mobile platform for collective performances across disciplines that prioritises minimal setup, site-specificity, and ephemerality by activating temporary urban spaces throughout the city.

致力於聲音藝術、表演藝術及跨領域創作實驗。林葉畢業於香港演藝學院，常透過協作演出與實驗性項目，探索媒介間的互動關係。作為太鼓樂手，林葉以肢體節奏為基礎，融合多元藝術形式，在表演框架中持續尋找新的對話方式，拓展當代表達的可能性。

Lam Yip dedicates her practice to sound art, performing arts, and experimental cross-disciplinary collaborations. A graduate of The Hong Kong Academy for Performing Arts, she engages in collaborative performances and experimental projects to explore interrelations between mediums.  As a taiko practitioner, Lam Yip develops her work from physical rhythms, integrating diverse art forms to continuously seek new modes of dialogue within the framework of performance, expanding possibilities for contemporary expression.

藝術家及專業廚師，畢業於香港中文大學藝術系。作為一位廚師，她曾於藍帶學院西班牙分校修讀廚藝。近年黃麗茵被邀以藝術家兼廚師的身份，合辦以可持續性和災難為主題的展覽和餐飲服務。黃氏繼續探索本地農產品及香料、未來的食材，並以藝術家兼廚師的身份進行創作。

Aan artist and professional chef, who graduated from the Department of Fine Arts at The Chinese University of Hong Kong. In addition to her artistic pursuits, she has embarked on a culinary arts journey, studying Spanish culinary at Le Cordon Bleu Madrid. For the past few years, Cam was invited as artist/ chef for the exhibitions and events with the topics of sustainability and disaster. Cam continues to explore the local farm produces, asian spices and future ingredients with the identity artist x chef.

創作涉獵混合媒體及數碼媒體，涵蓋攝影、錄像、裝置及表演藝術。他於2025年畢業於香港城市大學創意媒體學院藝術碩士課程，及2018年畢業於香港中文大學藝術系。近年作品探討現實與虛擬世界的日常經驗，並以人文關懷的視角，聚焦於外在的社會文明和內在的人性。

An artist working across mixed media and digital media, including photography, video, installation and performance. He graduated with a Master of Fine Arts in Creative Media degree at the City University of Hong Kong in 2025 and a Fine Art degree from The Chinese University of Hong Kong in 2018. His recent works explore everyday experiences in both real and virtual realms, reflecting on civilisation and human nature through a humanistic lens.

實踐以錄像、影像和裝置為主，並且經常源自她所經歷的文化脈絡。透過有計劃或偶然的旅程和相遇，她試圖理解地方、根源和流動性，探索人、自然與物件的日常敘事如何構建知識。她以自己拍攝或從遇到的人所收集得來的錄像和圖像作為原材料，雕刻和層疊影像，並經常同時以廢棄的家居用品、廉價或有瑕疵的材料，建構出可以不斷重組的臨時空間，思考影像與物質在再現上的界限。

Wong Winsome Dumalagan’s practice revolves around videography, images, and installations, often rooted in the cultural contexts she traverses. She delves into understanding places, roots, and mobility, exploring how everyday narratives of people, nature, and objects construct knowledge, through both planned and serendipitous encounters. With videos and images she captured or collected from those she encountered, she sculpts and layers visuals, and often incorporates discarded household items, inexpensive and sometimes flawed materials, to create temporary spaces that are continuously reconfigurable, probing the boundaries of representation in both imagery and material.

生於香港，舞者、演員及編舞，香港演藝學院當代舞系畢業生，現為獨立創作人及自由身表演藝術工作者，積極投入劇場表演及跨媒界藝術創作。他於2024年組成「邊 乂 渡」，開展了以邊界作為研究主題的跨媒介藝術計劃，於香港沙頭角禁區進行田野考察。

Hong Kong-based performer, choreographer, and performance maker. He graduated from the Hong Kong Academy for Performing Arts in contemporary dance and choreography. As an independent artist, he has collaborated across dance, theatre, film, and media arts. In 2024, he formed the cross-disciplinary collective Binchado, which conducted fieldwork and research at San Lau Street in the Sha Tau Kok frontier closed area. Their work focused on the ongoing interactions and intersections among the community dynamics which were shaped by contextual and structural factors.